This article critiques the komedya vis-à-vis its institutionalization as national theatre form and proposes a cosmopolitan alternative in the critique. The Spanish influences are evident in our Sarswela, komedya and Drama Simboliko Although Tiongson and Almario, during the 2008 Komedya conference, both rejected this notion, it is this spectacle that dis- tinguishes the komedya from other theatre forms in the Philippines. komedya It is a theatrical tradition by Filipinos sometimes in a form of singing. Its was used by the SPANISH to promote Christianity in PH. This article focuses on the komedya’s staying power in Philippine theater, as elucidated by three cases that show the komedya arts subjected to changes by various theater group agents. Two major forms of theatrical presentations made quite a show in the Philippines, are Komedya and Bodabil. It is the spectacle in the komedya – that ahistorical character – which moves the geography beyond the stage. Note: Please review the festivals in the Philippines and Representative Philippine Theatrical Forms Philippines and Representative Philippine Theatrical Forms Senaculo (sinakulo)- a theatrical presentation of Christ’s Passion, every Holy Week. philippine theater komedya, sarsuela and bodabil KOMEDYA comes from 16 th century Spanish comedia (play). • the spaniards and americans integretad significant imfluences in the development of art, music, and theater in the philippines. It is a play written in verse which uses traditional methods of the marcha (march) for entrance or exit, Batalla choreograph fighting and magia (magical effects). For a time, one of the most popular types of theater in the Philippines was the Moros y Cristianos, which is not surprising for a country that was under Spanish rule for 300 years. The first case critiques a contemporary director’s handling of Orosman at Zafira, Francisco Baltazar’s komedya, and highlights the extensive revisions done on a traditional form by a non-komedya group. Traditional Philippine drama comes in three Western forms introduced during the period of Spanish colonization. It will also include some known works and plays by Philippine theater groups. • popular dramatic forms prospered throughout the country and became an avenue for communication and expression. The Philippine theater is consisting of different influences from other countries. philippine theatrical. The Phil Theatrical Forms - View presentation slides online. The komedya, the oldest genre of formal theatre in the Philippines, deserves to be studied by scholars and revitalized by theatre artists as an essential component of the Filipino national theatre. Moro-moro or Komedya- which relates the Christian and Muslim conflict It describes conflicts between Christians and Muslims. These are the sinakulo and the komedya, which native playwrights writing between the 17th and the 19th centuries developed under the auspices of parish priests and landholding native elites in Manila and the provinces. forms • theater potrays various aspects of life in stage. What is KOMEDYA? This lesson will be giving focus on the nature and characteristics of these two major forms of theater productions.
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