“While the camera represents a significant cost reduction for broadcast equipment, the cost of broadcast lenses hasn’t changed. Now, the Blackmagic Design Studio Cameras are a little different from film and photography bodies, they can be controlled by the gallery/control room remotely. Although the lens came out in 2010, its continued popularity has prompted numerous revitalizations from Tokina, and the third iteration of the glass was released just last year. So far the only problem I’ve run into is trying to get a lens with servo zoom without spending $30,000. This website uses cookies to improve your experience while you navigate through the website. I had set the studio up with great lighting but I have to admit, I’d very rarely change from f/4.0. These lenses also cost into the tens of thousands! Lenses were being requested for shoots and studio work at the same time, all the time. You can always update a camera body but your lenses could last you a lifetime. Wide angle on full frame starts around 35mm or 28mm. All trademarks are property of their respective owners. Later on, I decided on the Panasonic 8-18mm f/2.8-4.0 ASPH Vario Lens (16-36mm FF equivalent) at $1,000-1,100/£900-£1,000 which suited my setup much better. The Blackmagic Design URSA Broadcast has all the traditional ENG camera controls and features broadcasters expect. If you do want that great technological advantage then you need to look at lenses with motorised zoom and focus functionality known as ‘active lenses’ for Micro Four Thirds. You can use your existing photo lenses for smaller setups or fixed camera use, or then bolt on incredible broadcast ENG lenses for large live broadcasts. Here is how to think of the field of view at various focal lengths on the Blackmagic Cinema Camera using full frame as our guide. Pan, tilt and zoom commands can be sent from an ATEM switcher over SDI to the camera. This lens mount replaces the existing PL mount on your URSA Mini and features corrective optics, which counteract spherical aberration inherent in B4 lens designs (to compensate for the trichroic prism in 3-chip cameras). These features, along with high level 4K optical performance and functionality such as integrated servo controls for zoom, iris and focus for electronic control from a camera, optional remote controller and optional ZSG-C10 Zoom Servo Grip make the Compact-Servo lenses ideal for those seeking the traditional lens operational practices associated with professional cinematography. Tom you are right. Spanning a convenient 70-200mm equivalent focal length range, the Lumix G X Vario 35-100mm f/2.8 II POWER O.I.S. This selection was born from years of frustrations, research, and testing so you can be assured that everything I have mentioned above comes with a recommendation made from my own personal experience. The Fantastic Blackmagic Studio Camera, How to Choose? Review Blackmagic Design null The stated focal length on any micro four thirds lens is double in a standard full frame sensor camera. for sensor size of studio camera, 1.5x can cover the whole sensor(in fact,1.3x enough for hd model). It’s definitely a mid-high level lens and certainly one for the category of best Blackmagic Studio Camera lens. As I pointed out earlier, the Blackmagic studio cameras need a decent amount of light on the sensor (Micro Four Thirds cameras have a smaller sensor size) so you need a nice open aperture. You want flexibility on set to go tighter with your shots, to get great sharpness, to not have underexposed images, and to not end up paying a fortune on lenses that may or may not produce the results you desire. The Blackmagic Studio Camera is the world’s most advanced broadcast camera for live production! We knew we had the aperture to play with, the focal length and that the results were fantastic too. No, SD lenses are soft, they lack resolving power/resolution for HD,,let alone 4K. Its small size makes it easy to transport, and means it’s ideal for sporting events, webcasting, reality TV, and close-quarters shooting. Broadcast lenses frequently cost over $10,000, so making sure you know what lenses you need to accomplish your goals and pricing them before … Buy Blackmagic Design Expansion Cable for Micro Studio Camera 4K featuring Camera to 6-Connector Breakout Cable, 12-30 VDC Power Input, BNC Genlock, LANC, B-4 Power/DB-9 Lens Communication, RS-485 PTZ, Futaba J Digital Servo. Three amazing lenses to add to your kit: Canon CN-E 15.5-47mm T2.8 L S – for wide angles. Now that you’ve decided to go ahead and get stuck in with a Blackmagic Studio Camera, you’re probably wondering which is the best lens, or lenses, to use with it? You do get fisheye creeping in at that length so you have to keep an eye on that as much as possible, but it can be compensated for in post if necessary. It's sensor is listed on the spec page as 13.056mm x 7.344mm this is tiny for a 4k sensor and give a very high pixel density, this will be bad for lowlight and bad for people who think a microscopic depth of field is desirable, but offers some hope for a full hd centre crop for b4 lenses, IF bmd would put a lens control connector on the camera!? Lens from Panasonic is designed for Micro Four Thirds cameras, providing a convenient 24-70mm equivalent focal length range. Head to the DigiProTips Experience and Background page to find out how I’ve built up my knowledge over a career spanning feature film, broadcast TV and digital content production. Users browsing this forum: Andy Coulthurst, Majestic-12 [Bot] and 40 guests. The Blackmagic Design URSA Broadcast Camera is a field and studio production powerhouse.Featuring a native B4 mount for standard 2/3″ broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator. The Micro Studio Camera’s SDI program input accepts commands via the SDI connection from any ATEM … Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It just wasn't nearly as sharp as the Lumix zoom I was comparing it with. For more content on lenses I have an article dedicated to my favourite lenses to work with as a Videographer here: Please select all the ways you would like to hear from DigiProTips: You can unsubscribe at any time by clicking the link in the footer of our emails. It is mandatory to procure user consent prior to running these cookies on your website. The 9-18mm Olympus is a handy lens to have but the price is reflective of the aperture it has, f/4.0-5.6. You can even select between a range of different lens mounts! We did a lot of talking head shoots and video podcasts that had a static wide and then two roaming or over the shoulder head shots using tele lenses. The CN-E 18-80mm from Canon retails for around $4,600/£4,000 and the Metabones adapter for around $650/£600. You get a massive 10 inch viewfinder, MFT lens mount, talkback, tally indicators, phantom powered microphone connections, 3G-SDI and user upgradeable optical fiber connections that let you connect to your switcher with a single cable! Servo lenses are smoothly zoomed directly from the camera, while the pan and tilt commands are also sent from the expansion ports PTZ output to a compatible motorized head. Back in 2017 I ran a small-medium size video production department for an online media publisher. But you can make one if you don't want to buy with a ridiculous price. The Blackmagic Design URSA Broadcast Camera is a field and studio production powerhouse. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. This is a quick overview of the latest Blackmagic Studio Camera. This allowed me to have a range of shot options across my three Blackmagic Studio Cameras with some of the best lenses I could find to work with. It is heavier than the 13-35mm above, at 357g but that is still light when compared to the full-frame equivalents. So choosing the right lens is an important decision. This would also stop any trouble with lens mounts being double-booked for location shoots when they were needed in the studio too. A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. Panasonic do a great Panasonic Lumix G Vario 14-140mm f3.5-5.6 ASPH Power OIS MFT lens (28-280mm FF equivalent), which would give a great range of length to work with on the studio cameras. I've only ever seen a single unit out in the wild. Learn more about Mailchimp's privacy practices here. We used a range of DSLR’s, FS7’s and the URSA Mini Pro’s to film on-location pieces for brands and in-house content. If you’re still not sure on whether a Blackmagic Studio Camera is for you then check out my article on them here. Therefore, in theory, gimbal-users can set the lens … We'll assume you're ok with this, but you can opt-out if you wish. Together, these components provide a studio-style camera setup for single-operator control. Only 2 left in stock - order soon. The approved BM LANC remote for next to camera control is the Manfrotto RC Pan Bar EX Remote Control. Its incredibly tough, lightweight magnesium alloy body is packed with all the built in features you need for multi camera … That time didn’t last long though. If you know the focal range you need won’t change and you want the most amount of light possible then lenses like the Sigma 16mm f/1.4 DC DN- at $350-450/£300-400 or the Panasonic Lumix G 14mm f/2.5 at $200-300/£150-250 would be great static wide lenses for the Blackmagic Studio cams. At least it is supposed to be parfocal and the price isn't so crazy (especially considering the prices of … That doesn’t mean that there aren’t other options available for using active lenses with the Blackmagic Studio Camera. I regularly use 80x zoom lenses on live productions. I needed to make some choices and get some extra lenses just for the studio cameras. $1,995.00 $ 1,995. We also use third-party cookies that help us analyze and understand how you use this website. The wide was a constant need of the studio. Blackmagic Design B4 Lens Mount Mount B4 lenses on your URSA Mini with this B4 Lens Mount from Blackmagic Design. 5.0 out of 5 stars 1. It’s potentially even more daunting with the Blackmagic Studio Camera due to it having a micro four thirds mount which can be adapted to take any lens mount you want to give it. This brought up another question for any potential lens purchase. Lens, Panasonic Lumix G X Vario PZ 45-175mm f/4.0-5.6 Zoom OIS Lens, Olympus 12-50mm f/3.5-6.3 ED M.Zuiko EZ Micro 4/3 Lens, Olympus 14-42mm M.Zuiko f/3.5-5.6 Digital ED EZ Lens, Panasonic LUMIX G LEICA DG VARIO-ELMARIT 8-18mm f/2.8-4.0 ASPH Lens, Panasonic Lumix G X Vario 12-35mm f2.8 II Asph Power OIS lenses, Panasonic Lumix G X Vario 35-100mm f2.8 II Power OIS, favourite lenses to work with as a Videographer. You also have the option to opt-out of these cookies. As far as coms go, I bridge my ATEM studio converter into ClearCom with the ClearCom RTS interface. The Blackmagic Studio Camera features an active Micro Four Thirds lens mount that is compatible with an incredibly wide range of lenses and adapters. To avoid image vignetting, camera sensor must set to 2K or HD Windowed mode. Featuring a native B4 mount for standard 2/3" broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator. Review Blackmagic Design Studio Camera HD 2 It’s currently the only f/2.8 fast ultra-wide-angle zoom lens on the market. Which Synology NAS is the best for my size team? A versatile wide-angle zoom, the Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH. So to counteract the forthcoming issues with lighting and eventual double booking of the shoulder cam lenses that were being used in the studio for the talking head shots, I needed to find great but cost-efficient tele lenses for those cams. f/3.5 just wasn’t going to give me the security I wanted and f/5.6 at the other end was just too small of an aperture to really work with. A versatile all-in-one zoom featuring a robust physical design, the Lumix G Vario 14-140mm f/3.5-5.6 II ASPH. then it become 8x crop ratio(135 format) ! 4.7 out of 5 stars 220. I believe my selection caters to all of those end goals and having been through those headaches I am positive that I would choose this route again. I didn’t want to have to get extra Metabones adapters to retrofit other makes of lens mount so I was really looking for the best in class of micro four thirds tele lenses in the 12-100mm range (24-200mm full-frame equivalent field of view). By 21mm it begins to get extremely wide. Which Synology is the Best NAS for Video Editing? So is you have an 35-100mm MFT lens that is equivalent to 70-200mm focal length for full frame. As an Amazon Associate, I earn from qualifying purchases. Features an incredible 4K image sensor and a new extended … Even if BMD "fixed" the issue so we could just put a B4 lens on the camera, I can't afford any decent HD glass to use with it. They were fujinon and canon for SD broadcast, one was off of an 800 line Ikigami and using it on an HD camera was too much for it. It’s just a shame that Lumix G Vario 14-140mm had such a smaller aperture. If you’re working on a live production you can add the professional 7 inch URSA Studio Viewfinder and even a Blackmagic Camera Fiber Converter. This Canon lens is a lower-budget cine-servo lens for ENG style cameras. In total it’s five lenses for three cameras, at around $5,000/£3,500 but they are five lenses that I trust will give me the results I need. B4 Broadcast Lens Control Control the broadcast lenses you already own Drool … That is for the EX1 not for a standard ENG lens. If you're confused by what the best lens for the Blackmagic Pocket Cinema Camera 6K is, read this article. You really need to use HD B4 lenses for satisfactory results. The new Blackmagic Pocket Cinema Camera 4K ( Amazon, B&H) has a larger Micro-Four Third-type sensor, so if you use Super 16mm lenses, it will vignette. After reading this discussion, I also must contribute with my feelings about this product. I have used a few B4 lenses and the biggest problem for me was the SD glass I had access to. Yes Blackmagic made the URSA Mini PL which can take a standard B4 lens via it's interchangeable mount. ... Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 – you could shoot entire projects with just this one lens. Bear in mind that in full frame the equivalent would be 28mm or 32mm. Therefore, I didn’t have enough budget to kit out the on-location cams and the studio cams with lenses for each kit, I had to use the same lenses for each purpose and set up a booking system. With COVID restrictions in place the wide focal length of 9mm (18mm FF) really helps us keep that 2m distance between guests. By 16/14mm you are looking at an ultra-wide standard lens or a fisheye. The new Canon CN-E 18-80mm Servo zoom lens could definitely be an interesting option for EF mount cameras (like the Ursa Mini for example). The Panasonic Lumix G X Vario 12-35mm f2.8 II Asph Power OIS was an obvious choice for me. (essential for sports and live music events). There’s pros and cons to both routes and in the end I ended up doing a mixture of both… for a while. By clicking below to subscribe, you acknowledge that your information will be transferred to Mailchimp for processing. You can use affordable, high performance MFT lenses or add a B4 adapter to work with traditional broadcast lenses. It’s always quite daunting when trying to decide on lens options for your camera. So, although they are wide, they’re not super wide. The lenses I decided on were both Panasonics, the build quality was always a draw for me, a 12-35mm f/2.8 (24-70mm FF equivalent) and a 35-100mm f/2.8 (70-200mm FF equivalent). When you’re looking for the best Blackmagic Studio Camera lens you need to ensure it fits your needs. Broadcast B4 lenses can be fitted to... Broadcast B4 lenses … FREE Shipping. Blackmagic Design Pocket Cinema Camera 6K with EF Lens Mount. HD or 4K? The 35-100mm f/2.8 lens from Panasonic retails for around $900-1,100/£800-900. 00. If you need to extend your recording time, simply mount an external SSD recorder. The lens, again, works best at f/2.8 which suits the Blackmagic studio cams down to the ground and its size is incredibly small for a 70-200mm FF equivalent, just 67x100mm. The Blackmagic Design Micro Studio 4K is little more than a sensor with a lens mount, but it packs quite a punch. We do not have a complete STUDIO system (ATEM, Switcher, Multiple Studio Cameras, etc.) Learn more about Mailchimp's privacy practices here. This website uses cookies to improve your experience. Ever wanted to use your smartphone as a webcam for game streaming in OBS? Something often used for talking head shots and nice wide open apertures to get that beautiful shallow depth of field behind the guest’s head. At f/2.8 I had more than enough light to play with on the Blackmagic studio camera sensor and the form factor was beautifully small, just 68x74mm and weighing 305g. This category only includes cookies that ensures basic functionalities and security features of the website. There are four approved active lenses for the BM Studio Camera: These lenses range from $200-500/£150-400 and are all controllable via a LANC controller. The real front runners in the Micro Four Thirds lens market are Olympus and Panasonic, due to them being the main camera body manufacturers aside from Blackmagic Design. but for wide/ultrawide, no lens is suitable! Blackmagic URSA Broadcast Studio Kit. As every videographer knows, the glass (lenses) comes first and the body comes second. $1,995.00 $ 1,995. It’s important to bear in mind when choosing your lens because you are never going to get the field of view that you are expecting when working with full-frame and cropped frame cameras in tandem. so if someone can make/produce one(teleconverter with mount adapter), i would like to be the first buyer. I hope this has helped you make an informed decision on the best lens choice for the Blackmagic Studio Camera. As soon as the fruits of our labour came in and the team expanded, the content production increased and studio output rose… we had an issue. Due to its ultra-wide field of view, the lens has a truly short minimum focus distance. It’s just that they aren’t officially approved for us by BMD. The image sharpness is great at f/2.8 and even when you reach the full focal length and knock it down to f/4 the corners are still sharp, though starting to degrade ever so slightly. Ltd. 2019, all rights reserved. In hindsight it would been better if I’d gone for a slightly more expensive lens with a wider aperture earlier on. For information about our privacy practices, please visit our website. DISCLAIMER: This post may contain affiliate links. Studio work only accounted for maybe a fifth of all video work at the time and so we didn’t have clashes with shoots needing access to the same lens. This would give me range across the 24-200mm focal lengths in a full-frame field of view but spread across two lenses. Blackmagic URSA Broadcast Camera & Fujinon 5BRM-K3 MS-01 Semi Servo Rear Control Accessory Kit Fujinon MS-01 Semi Servo Rear Control Accessory Kit The Fujinon XA20SX8.5BRM-K3 8.5-170mm f/1.8-2.7 HD Professional Lens is an ENG telephoto lens … We make a small commission if you buy the products from these links (at no extra cost to you). This is particularly useful if you have camera mounted in positions without a cameraman behind them or on PTZ style heads at venues for examples, then having the ability to remotely control your lens is a great added bonus. An added bonus, though slightly unnecessary for the majority of my setups was optical image stabilization. After a lot of research and budget management, I came to the decision of going with two lenses instead of one. Now, studio work wasn’t the only use me and my team had for the kit we were using in the studio. As you can see above, these are all lower to mid-tier lenses with fairly smaller apertures. There were a couple of downsides I hadn’t accounted for with this lens and the Blackmagic Studio cams though. The Studio 4K 2 stays ahead of the competition by coupling its compact size with an … Description. POWER O.I.S. Any lens that has servo motors and the correct cabling protocol can be used with a CCU. from Panasonic is designed for Micro Four Thirds mirrorless cameras and provides a 28-280mm equivalent focal length range. There are some new servo zooms coming soon, TBA at NAB next week. Lens from Panasonic is a 16-36mm equivalent lens that blends optical excellence with durable, refined physical design for Micro Four Thirds mirrorless cameras. Do you stick with the kit you already own (and trust) or do you shell out for new lenses to suit the new camera type you’ve just purchased? Gotcha, so the HD sensor at 14.31mm diag is just under a 1", maybe 7/8" sensor. Do you want it to have a motorized zoom, iris and focus control? The lens has a 20x zoom ratio, and a 2x extender effectively doubles the focal range, and comes with digital servo zoom control grip.
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